Engineers design them to reproduce the stereo image with precision. Monitor speakers and studio monitors are all about accuracy. Stereo imaging refers to the perceived spatial locations of sound in 3D. Stereo Imaging, Soundstage, & Audio FieldsĪnother important characteristic that monitor speakers have is their ability to produce a stereo image. The overall result is a more accurate reproduction of the audio. This makes the separation between frequency ranges of the woofer and tweeters more defined, and reduces doubling up of frequencies. The tweeters and woofer will each have their own dedicated power amp.īiamplification allow for better crossovers since they allow for steeper filter roll-offs. Some utilize biamplification and have a separate amp for each driver. Home audio speakers are usually passive, while studio monitors are almost always active, meaning they have a power amplifier built into the speaker. This reduces or eliminates phase distortion, which adds to the inaccuracy of the monitor. A l inear phase relationship means that the monitor shifts the phase of all audio frequencies across the spectrum by the same amount. This refers to how the monitor alters the phase of the signal’s constituent frequencies across the spectrum. Phase linearity is another important consideration. However, due to a V-shaped frequency response that is far from flat, home stereo speakers provide an inaccurate representation of the input audio signal. This makes the audio sound subjectively “better” to the listener, and makes them more likely to buy and enjoy the product. Usually, their frequency response curve exaggerates bass and treble frequencies. Sound engineers design home audio and casual listening speakers for a pleasant listening experience, not for raw accuracy. But engineers do design monitor speakers to be as flat as possible within their budgetary constraints and the current technological limitations. In reality, a perfectly flat frequency response is impossible. Therefore, a flat curve means there is no change in the way the monitor reproduces the input signal. The frequency response curve shows how the monitor alters the sound as a function of frequency. The term for this is “flat” in reference to the frequency response curve. Studio monitors and monitor speakers are all designed to have as little of an effect on the audio signal as possible. Many audio devices, including microphones and audio interfaces, will have their own frequency responses. Frequency Response & Phase Linearityįrequency response refers to how the monitor or speaker will change the way the audio signal sounds. In contrast, home stereo speakers are more geared towards creating a pleasant and immersive listening experience. The purpose of the studio monitor is to create as accurate of a representation of the audio signal as possible. It only makes sense that they will have different design features than speakers you’d buy for casual listening and audio playback for your computer and home theater. Monitor speakers are intended to be used in recording studios and home studio setups for music and audio production. Differences Between Monitor Speakers & Home Audio Speakers Without these specialized speakers, you’d have a hard time creating a great mix, although it can be done with high-quality studio headphones.Ī pair of PreSonus Eris E5 studio monitors. Monitor speakers are an essential part to any hobbyist or professional recording setup. They’re called monitor speakers or studio monitors because they’re used for monitoring – critical listening during recording, mixing, and mastering. In a nutshell, monitor speakers are loudspeakers that we use specifically for audio and music production. Buying through any of the links below will earn me a small commission at no extra charge to you. Let’s get started.įull Disclosure: As an Amazon Associate, I earn from qualifying purchases. In this informative article, we’ll cover everything you need to know about monitor speakers, also commonly called studio monitors. A common question asked by new and aspiring producers and engineers is “What is a monitor speaker?” And if you’re here, there’s no doubt you want to know too. Cut off one head, and two will grow in it’s place. Each answer produces even more questions, something akin to the Hydra of Greek mythology. Upon entering this new territory of the fusion between technology and creativity, thousands of questions immediately surface. Those new to audio production will undoubtedly find themselves with information overload. Stereo Imaging, Soundstage, & Audio Fields.Differences Between Monitor Speakers & Home Audio Speakers.
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LEAST() and GREATEST()are examples of such functions.īy default, string comparisons are not case-sensitve and use the current character set. Some of the functions in this section return values other than 1(TRUE), 0(FALSE), or NULL. String are automatically converted to numbers and numbers to string as necessary. These operations work for both numbers and strings. Whether a value is niot within a set of valuesĬomparison operations retult in a value of 1(TRUE), 0(FALSE), or NULL. Whether a value is not within a range of values Return the index of the argument that is less than the first argument Whether a value is within a set of values SQL Server’s deprecated ANSI_NULLS setting makes some equals comparison ( =) act as though it was a is not distinct from comparison.Whether a value is within a range of values MySQL offers the proprietary comparison operator that works like is not distinct from. The is operator of SQLite ( documentation) and H2 ( documentation) is able to compare two expressions (not just is null), and it has the same semantics as is not distinct from. 2 The following example has the same effect as A is not distinct from B: DECODE(A, B, 0, 1) = 0 is - SQLite, H2 The standard solution using exists, values, and intersect can easily be modified to work on more databases by using select without from instead of the values clause: EXISTS (SELECT c1ĭb2, Oracle database, and H2 have the proprietary function decode that happens to use is not distinct from semantics internally. BigQuery Db2 (LUW) MariaDB MySQL Oracle DB PostgreSQL SQL Server SQLite intersect, select w/o from decode(A, B, 0, 1) = 0 A is B A B Exists, select without from, intersect they have a two-valued result and never return unknown. The following proprietary features are fully compatible-i.e. Most database that do not offer is not distinct from offer a proprietary alternative that is more convenient than the conforming alternative described above. Available in 11.1 Mod Pack 1/Fix Pack 1.BigQuery Db2 (LUW) a a MariaDB MySQL Oracle DB PostgreSQL SQL Server SQLite is distinct from is not distinct from Using case and is null Using intersect, values, exists The optional negation with not was added by SQL:2003 as feature T152, “DISTINCT predicate with negation”. The is distinct from predicate was introduced in two steps: SQL:1999 added T151, “DISTINCT predicate”. A select from a one-row dummy table can be used to get a conforming and widely supported solution. Unfortunately, it doesn’t work on all databases due to the use of the values clause. This has the advantage that it does not repeat any expressions. This logic can be easily tested in the where clause with an exists predicate: 1 EXISTS (VALUES (A) If it is twice the same value the common subset will be that value. The two compared sets are just one value each (one row with one column). The following snippet uses intersect to determine a common subset. Īnother option is to use table operators, which use distinct comparisons internally. I make my living from SQL training, SQL tuning and consulting and my book “SQL Performance Explained”. This technique is explained in “ Binary Decisions Based on Three-Valued Results”. In some databases is not false can be used instead of the case expression. either true or false but never unknown-the case expression reduces the three-valued result into a two-valued one. To get the fully equivalent functionality of is not distinct from-i.e. This is often not a problem because SQL generally treats unknown like false when making binary decisions such as accepting or rejecting a row for a where clause. If only one argument is null the result is unknown, not false. The result of the expression in the when clause is true if both arguments are equal or both are null. 0 CASE WHEN (a = b) or (a IS NULL AND b IS NULL) Although there are standard alternatives to is not distinct from, using a proprietary alternative is often the better choice.ĭue to SQL’s three-valued logic, a fully equivalent substitute for A is not distinct from B that works in all SQL databases is surprisingly complex-even when we limit the requirement to cases where evaluating the expressions A and B is deterministic and has no side-effects. Click on “Add to Chrome” button and then click on “Add extension” button to install the extension on your Chrome browser.To add and use this extension, visit Chrome web store, search for “The Great Suspender” and hit enter key.For example, The Great Suspender is one such extension that helps to manage Chrome tabs. Using Extensions for Managing Chrome TabsĪn extension can be really helpful in managing the Chrome tabs. If you have closed all the tabs before completely quitting the browser then you will see a new tab page like normal. Remember, this will be useful only when you closed the browser with open tabs. Scroll down a bit and under “On start-up” section, click on “Continue where you left off”.įrom now onwards, when you open the browser, Chrome will launch all your previously closed tabs that were open when you closed the browser. In order to enable this feature, open a new tab and type the command URL “chrome://settings” in the address bar. This is quite useful in doing continuation of work like you want to close the browser and read the articles later. This feature in Chrome is used to continue using all the tabs from where you left last time. “Control + W” allows you to close tab one by one.Jump to the last tab in the currently opened window by pressing “Control +9” or “Command + 9” keys.“Control + T” or “Command + T” to open a new tab.Here are some of the shortcuts to manage tabs in Chrome. They can make your work faster in Chrome especially in managing tabs. Shortcuts are great in terms of making things easier. So, ensure to complete all your work before closing the browser. Note, Chrome will not warn when you close the browser with multiple tabs opened. Below are the seven ways to manage tabs in Chrome. There are two ways of managing Chrome tabs – using Chrome’s built-in features and with third party extensions from Chrome Web Store. These two options will help you to browse the web anonymously without leaving any history of your browsing.
This tool allows you to set the luminosity and color, and choose a brush or specific masks. To apply any changes, you need to pick a brush, select the work area you want to adjust, and then edit the image by moving various sliders. This tool comprises all the basic color correcting settings: white balance, temperature, tint, exposure, contrast, shadows, blacks, etc. It will even choose the best orientation of the replacement sky, that way it looks and feels realistic when paired with the original image. It even relights the entire photo, that way the original image matches the new sky. The Sky Replacement Tool also removes artifacts like halos and hard edges. Instead, it’s an automated process by which intelligent selection algorithms selects only the sky, leaving tiny details like leaves, grass, birds, or hair alone. That is, you don’t have to make selections or create masks. Now it is possible to replace the sky using artificial intelligence technology. Skylum Luminar 4 made a dream of all landscape photographers come true. After opening this mode, you’ll have access to all tools available in this image editing software. The program also includes a professional tab. I think that’s very convenient since you’ll only see the tools you need, which streamlines the picture editing process and makes it easier. You can select tools for portraiture, color settings, street, landscape, or aerial photography, and many others. This pack is specially designed to level up your editing needs and comes with a 30-days money-back guarantee and 24/7 technical support.I also liked that the toolset in Luminar Mac and Windows is separated into tabs. It costs $235 for one computer and $257 for two computer licenses. It all makes a perfect combination of artificial intelligence and creative expertise. It includes one Luminar 4 license, two Luminar AI licenses, and an Aurora HDR license. If you want to control every aspect of your photo editing process, Guru pack is just the right option for you. The pack comes with a 30-days money-back guarantee, and 24/7 technical support. The combo is just perfect to fulfill all your photography needs and makes complex editing tasks easier than ever. It costs $166 for one computer and $188 for two computers. It is the most popular pack and includes one Luminar 4 license and 2 Luminar AI licenses. The Master pack includes only Luminar 4 itself and costs $67 for one computer and $89 for a 2-computers license.įor this price, you get a lifetime license for the software 24/7 technical support and 30-days money back guarantee. Luminar 4 Pricing Packages And What’s Included? Let’s take a look at each price package of Luminar 4. If you are upgrading from Luminar 3, you can pay only $74 and then the license for 2 devices is yours forever. Skylum Luminar 4 is available at an affordable price of $67 for all the new customers. You can run it as a standalone program or as a plugin within Lightroom or Photoshop on both Mac and Windows. You can either manually edit the photos or let the software do all the work for you. The software was released on November 18, 2019, and has similar editing programs and tools like Luminar AI to make photo editing simpler and fun for both beginners and advanced photographers alike. Luminar 4 is Skylum’s image editing and photo management software, designed to meet all your image processing needs and deliver professional results in less time. Luminar 4 Price Verdict: Is It Worth It?.Luminar 4 Pricing Packages And What’s Included?. They have the best UI of any DIY automation platform out there. It's a great little setup if your needs are very minimal. Overall it may sound like I'm bashing Wink. My personal recommendation is Lutron Casetta combined with the Lutron SmartBridge. Lighting is probably going to be one of the most used portions of your automation system so I'd put a lot of focus here. There are a lot of different technologies for automated lighting (Z-wave, Insteon, Lutron) all of which communicate differently. You are mostly correct with regards to lighting but surprisingly they all don't necessarily work with any hub. As noted above there are a lot of "bridges" for Wink but the only reason to go this route would be if you were already heavily invested in Wink hardware or one of the very few wink only devices was essential to your setup. This pretty much makes the Wink useless unless you happen to either already be heavily invested into Wink devices or require as a part of your system one of the very few Wink ONLY devices (Eggminder, Porkfolio, Nimbus) that you couldn't get an equivalent for a different hub/platform. In addition you won't be able to use any Wink logic (or robots) based upon security panel information so any automation that you do will have to be performed else where and pushed back to Wink should you desire any changes on Wink devices. The problem with this setup is that you can't really interface locally with the Wink hub meaning that everything has to come through the cloud via their API. Basically your only option would be to use another hub/device to interface with your security panel and potentially your Wink. Nor can you realistically create an even remotely reliable or functional security system with Wink even though many things might indicate otherwise. Q2: The quick answer is.you can't interface a security panel to Wink. The biggest issue with this (if you are just starting in HA) is that there will be numerous things that you think you will be able to do later to find that there is no way to do so with Wink. It has a nice interface and works well enough for anything that isn't mission critical. Wink is a very small and closed environment. If you have ANY desire to extend functionality beyond Winks official list of supported devices. Specifically, if you choose to go with Wink you'll be missing on on extensibility. Q1: Yes, you'll be missing out but this will be the case no matter which hub option you choose. I figure with any platform I can get light controls and timers / dimmers to work fine for my needs. Q3 can I use Wink as a 'bridge' and do OpenHab instead? How do I get this something to interface with Wink? Or do I need to go Indigo or Smartthings(which I did find guides for)? I couldn't find any integration guide with Wink is why I ask when googling. I have a DSC PC1550 right now hat I plan on replacing with something. Q2 I am planning on integrating a home security board like a DSC 1832 or some kind of similar board as a replacement for what I have. Q1 Will I be missing out on anything from SmartThings or Indigo? The above clearly says go with a Wink hub. Can't tell if it works with smart things? Rachio, integrates with Wink and SmartThings, ? For indigo?ĮcoNet Rheem water heater control. Ecobee3 (prior to HomeKit) integrates with Wink or SmartThings and looks like a plugin for indigo How long do you cook a ham per pound at 350? The ham is ready when the internal temperature reaches 140 ° F. For whole ham, leave for 15 to 18 minutes to pound for half, 18 to 24 minutes per pound. To heat the ham, place it on a rack in a low roasting pan, and bake uncovered. How long do you cook a 9 pound ham And what temperature? It’s easy to overheat the ham to really make a perfect baked ham, I suggest using such a thermometer. How long does it take to cook a 9 lb cooked ham?įor this recipe, fully cooked bone-in ham is cooked for about 12-14 minutes per pound (9lb ham takes about 2 1/4 hours). This may interest you : How long to cook a ham that is fully cooked?. Cover with foil and cook in a 350 F oven for about 20 minutes per pound, or until the internal temperature is 160 F. Place the ham in a roasting pan and rub with the spices of your choice: A mixture of salt, pepper, garlic and herbs always works well. We set our oven to 350 degrees and plan to take about 1 ½ to 2 hours for the nearly 10 pound hams we buy. How long does ham take to cook at 350? How Long Does Ham Bake Last? It usually takes about 10-15 minutes per pound to heat the spiral-cut ham to 140 degrees Fahrenheit. The ham is ready when it has reached an internal temperature of about 120 ° F to 140 ° F. Cook slowly over low for 4 to 5 hours total.Bake at 350 ° F for 10 minutes per pound, 1 to 2 hours total OR.Bake slowly and slowly at 275 ° F for 20 minutes per pound, between two and 3 hours total OR.How Long Do You Really Want to Cook Ham? To see also : Is a smoked ham fully cooked?. How long does it take to cook a ham at 350 degrees? Interleaved Broadcast WAV (BWF) is now the default, with AIFF as a further option, and BWF files can be stamped with author, copyright and organisation code information. Open up the Preferences window (by hitting Apple-comma), select Audio Options, and you'll see that you're not obliged to record audio in mono or split Sound Designer II format, although you can if you want to. Just as important are the behind-the-scenes changes. (See the 'Comp' section for an introduction to this great new feature.) The Tracks Overview window now has vertical zoom buttons at its bottom right and its tracks can now be resized (although not individually, sadly), and in the Tools palette there's a new Comp tool. In the Sequence Editor and other editing windows, cigar-shaped areas near the top, labelled C, E, S and G, present the information that previously appeared in the so-called 'event info bar', relating to Cursor position, Event data, Selection and editing Grid snap. Then there are specific cosmetic changes. Whereas this was previously always attached to the sides of editing windows or the Mixing Board, now it can appear in its own side-bar cell, or even be popped out into its own window. Also check out the Track Selector at bottom right. What else? Windows appearing in the Consolidated Window's two side-bars have 'tab' tops, and more than one can appear in each side-bar cell. But it does bring back permanent confirmation of sample rate and bit depth - hooray! The Control Panel is very different, too, with a new layout and none of the collapsible 'drawers' of versions past, and no buttons to open different editing windows. Look at the title bar of the consolidated window, for example there's the familiar OS X 'traffic lights', but none of DP5's non-standard stuff. Plus Ça change.Īs this month's header graphic shows, there are very noticeable cosmetic changes in DP6, some of which are more than skin deep. Except that everything now feels that much slicker! We'll be bringing you a DP6 review very soon, but in the meantime, DP users can get an upgrade head-start by reading on. But what's great is that DP6 has absolutely not reinvented the wheel - it's nothing like the transition from Cubase VST to SX, for example - and once you've learned how old functions have been transferred to the new scheme it'll be business as usual. The old look was outdated, and presented quite a learning curve to anyone who'd begun their Mac experience in the squeaky-clean, standards-based world of OS X. So on booting up DP6 for the first time last week, and even though I'd already seen screenshots and demos, I was probably as surprised as anyone by exactly how much had happened to my sequencer. And let's not forget that grey look, punctuated with various bright colours here and there. The new DP6 looks almost like a different application, and conforms much more to OS X standards, so this month we bring you the first-look guide to what's new.Įver since I started using Digital Performer, back in the days of version 2.6, which ran in OS 9 on my old bright-blue 450MHz Power Mac G3 (long since departed), I've taken for granted its non-standard features - the strange buttons for closing and expanding windows, the idiosyncratic title-bar functions and mini-menus, and the way similar functions could be presented in quite different ways in different editing windows. Digital Performer has retained the same basic look and feel from its introduction right up to version 5.13 - but no more. Aldiko Book ReaderĪldiko Book Reader has been described as the top e-book reader for Android devices. The narration is synchronized to the printed text, making it easy for dyslexic students to relate sounds with printed words. Learning Ally Audio is also a text-to-speech app, but it offers a few very useful additional features. You have to join a Club but once you do you will have access to a very large selection of books suitable for all ages. You can also opt to have the book read to you. Users can use illustrations or a special highlighting option to get help with a word or phrase. MeeGenius! Kid’s Books is another useful dyslexia app for getting help with reading. The levels of magnification and illumination can easily be adjusted by the reader. This is made even easier by LED illumination. It is perfect for students of all ages.Įye Reader focuses on magnification to make reading easier for those with dyslexia. The app also boasts full text-to-speech features. Users can extract text from a web page (and also from many other information sources) and read it in an easy-to-follow format. It is a nifty app that features a built-in browser. It is widely used by educators focusing on learners with special needs. This app was specifically developed for students suffering from dyslexia. Learners can even see a definition of specified words. Lectio allows to take a picture of a page of text and to have one or more words read out aloud. It is one of the most recommended dyslexia apps by educators. It employs the Dyslexie font which makes it much easier to read individual letters and words. Suitable for different ages or levels allows 4 users.ĪppWriter for use on an iPad is not free but it has been described as a revolutionary tool for dyslexic students. This is a list of 220 words that makes up almost 75% of all reading done by students. It focuses on teaching children to instantly recognize and read the Dolch sight words. See Read Say is a delightful dyslexia app course for iPhone and iPad. $/€: in-App purchases | iOS | Playstore 2. It offers full support for those with learning disabilities and an option to have Blio read to you, highlighting each word as it is read. It displays a wide variety of e-books in full color, with particular attention to the layout and presentation of the text and graphics. Enjoy! Dyslexia Apps – Literacy Skills 1. Here is a list of 25 dyslexia apps and tools that will be useful to children and students and their parents and teachers. Much research has been done on the topic, and there are numerous resources for people with dyslexia, much of it free. However, it doesn’t mean learning cannot be fun and easy. 25 Best Dyslexia Apps & Tools – Reading, Writing, Note Taking, Mathĭyslexia is a disability that makes it difficult for those affected to read and learn in the same way most other people do. The question for the more knowledgable MESSDevs is this: for a very select number of console games, would a similar decapping project be effective (though possibly not worthwhile in most cases)? MG post another wip update!Īs we know, MAME has a companion to the Dumping Project, namely the Decapping project. I woke up on the wrong side of DST this week. I appreciate those who took the time to set it up. Is that a fixable option?Īlright end of complaining. That was a nice feature of the old Wip page. My only issue with the tracker is the bug # link to the svn ticket number not bugzilla. Looks nice.Ĭan we get a link to the the wiki from ? Same with the svn tracker? I do like what they have done with and mamewiki. I suppose I am missing something here.maybe for a huge project it would help keep things organized. The whole domain:page structure thing seems a little too formal for my taste. Change page has much less info than mediawiki. current page not any version vs any other version. You have to go to the specific page and look at old revisions. Probably the biggest is recent change page only shows last change of any particular page. I admit I don't love the wiki software, just a couple of things bug me. I even bid (and lost) on a old system from the page this week. Pasago - portable by Koei with carts based on famous Go tournaments, hard to find much info on this, not even sure about the year of release:īandai Telebiko - obscure VHS-based system, not sure about the year: Nintendo 64DD - 1999, disk add-on for the Nintendo 64. A follow-on, the Super Cassette Vision, has been emulated. figuring out what games still need to be dumped.īandai Supervision 8000 - first cartridge-based original Japanese system, from 1979, not related to the Watara SupervisionĮpoch Cassette Vision - 1981, Ian Knowles posted about having one, is it available for dumping? This was also updated as the Cassette Vision Jr. Later, the effort can be expanded to partially dumped systems, i.e. Some of these have already been mentioned on the Wiki, but I've got at least a bit more information. Then I can update the Wiki and send a list to Guru. My plan is to first run the list by the people here, in case it turns out something actually has been dumped, or something is missing. (The 64DD is an exception, since no ones knows how to dump it, but I'll include it for completeness.) In most cases, we'd probably need to find these to know how difficult dumping would be. I'll start out with a list of completely undumped consoles/portables released only in Japan. At least a couple of people have mentioned wanting to donate for MESS dumping, so this could be a good opportunity. Lately, I've been working on a list of undumped Japanese systems, with the intention of tracking some of these down with the help of Guru's Japanese contact. I know some FM Towns Marty games have been dumped and can be played in emulators, but does the entry means the real BIOS haven't been dumped? I'll try to add some more systems and more information when I get a chance. For some we'll need to clear up just what needs to be dumped. That's a good start with the dumping project page. After a while, she relaxed and even took a selfie. At first Emma didn’t want to go on the bed because she thought it was gross. Reflecting on the experience, Emma told me that she had to pay for the hotel room with her mom’s credit card because Gus didn’t have any money. According to Jon, Gus was more confident this second time around.Įmma told me that at first, Jon had another girl cast for the video, but Gus texted him saying “I would be way more comfortable having my girlfriend.” He was very nervous about working with a “random girl.” Battery Full was done, Gus and Jon came together again to shoot Come Around (on January 12.) This time, Gus brought Emma (she drove them). They met at a little motel right near the White Castle on Jericho Turnpike.Įmma and Gus were late because the car Emma had borrowed to get them there kept doing weird things every time they tried to drive fast. The ALIS hat was a Christmas present Oskar had given to Gus.Īfter M.O.S. Gus had convinced Angelo to let him wear the new white coat, and then had placed it on the ground, for effect, in the video. So Gus went ahead and began. Once he began, Jon reports, Gus was "all in."Īngelo told me how the white coat in the video was really his-it was a brand new Christmas present. Right before they began shooting, Gus expressed his nervousness, saying "I’ve never done this before, I don’t know if I can do this."Īt this point, Jon reassured Gus, saying that he would be able to edit the film to make it look great. Ian remembered thinking that he would not have been wearing his sweatpants had he known he would be in a music video.Īccording to Jon, Gus was nervous at first. They wrapped up at the parking lot of the brand-new Target on Jericho Turnpike in Huntington. They drove to several different locations-including Manor Farm, Five Towns College, and Mt. (The amazing back wall of the parking lot had just been built). Jon took Gus and his friends to several different spots on Long Island to shoot including the Target parking lot on Jericho Turnpike on Route 25 in Huntington. But when Gus showed up at the Walt Whitman Mall with Angelo and Ian, Jon became inspired-and he spontaneously placed both of them in the video. There was no plan for the guys to be in the video. It turned out they would both be cast in the M.O.S. Angelo, home for winter break from Binghamton, was hanging out at Gus's and came along for the ride. When Jon and Gus made plans to work together to shoot their first video-on Long Island-Gus needed a ride to the location because Gus didn't drive, or have a car. When Skil finally sent back the finished video, with all of the crazy animation, Gus was thrilled. He and Emma shot the footage for Drugz, and he sent that to his friend, Lil Skil to edit. Gus had been working with producer John Mello to make the four tracks Drugz, Shiver, M.O.S. He and Emma had made a couple of videos ( Nothing to U, Songs You Hear on a Sinking Ship, Live Forever) and he had shot a bunch of footage with his friend Will to make videos with during the summer. They made plans to work w Jon to make a music video.īy this time, mid-December, 2015, Gus had decided he wanted to make as many videos to go with his songs as he reasonably could. He was impressed by Gus’s video as well as by Gus's music, and contacted Gus on SoundCloud. Jon had seen Gus's Live Forever video "teaser" on JGrxxn’s Instagram page. I spoke with Jon, Emma, Ian and Angelo who were involved in the creation of these two videos to learn more about the making of these videos. Jon and Gus met online-the way Gus met most of his collaborators. All four of those tracks were produced by John Mello (and one was co-produced with Hector Vae). He had released Lil Peep Part One, Feelz, Live Forever, and several singles, including Star Shopping, the summer before.Īfter Christmas, Gus worked with a budding, local, Long Island director named Jon Francois-who goes by the name of Legacy-to make videos for two of the tracks that he decided to release on a four-track EP called Vertigo. By December 2015, Gus was on a roll releasing music. |